Prose

“Teeth, Hair & Eyes, LLC,” by Myna Chang

Apr 20th, 2019 | By

Pearl Gleeson squinted
into the sunset and mashed the gas pedal
to the floor. The glare should have been blinding, but with her cataracts, it
was only a mild discomfort. In fact, this was
the best she’d seen in years—almost as if the setting sun had enhanced
her eyesight.

“I’ve got Superman
vision,” she cackled as her engine roared. “And no one steals Superman’s cream whipper, bitch.”



“Softboy Ray,” by Ben Fitts

Apr 20th, 2019 | By

A punk with a safety through his nose shoved his way to the front of the crowd, snatched Gilbert’s mandolin from his fingers and snapped it over his knee. The rest of us stopped short in the middle of the song we were playing and gaped, the open strings of my Rickenbacker still ringing out.



“A Lawyer Walks Into A Barre,” by Lisa Sullivan Ballew

Apr 17th, 2019 | By

It’s a typical Wednesday morning at the office, and I am alternately revising a contract, sending calls from my mother to voicemail, Googling birthday party venues for my six year old, and scanning the latest Trump / border crisis / senseless gun violence related headlines. Looking down at my lap, my once crisply tailored slacks

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“To the Philanthropic Souls Dating Stand-Up Comics,” by Danny Dalah

Apr 10th, 2019 | By

You are the men and women we, the comedic community, need, but do not deserve. Thank you for your endless charitable work and for helping us overcome poverty, depression, and thirst by covering our five dollar IPAs after our performances. With Mother Teresa’s patience, you endure awful open mics in rundown hellholes, where you have forced applause for a terrible sock puppet act, an annoying whiny guitar comic, and your slightly below average significant other’s pun about “holy socks.”



“An Open Letter to Kevin Costner Concerning Robin Hood: Prince of Thieves,” by Emily Linstrom

Apr 3rd, 2019 | By

It’s come to my attention that today marks the 27th birthday of the US release of Robin Hood: Prince of Thieves. Man, time flies like a 300-frames-per-second arrow through an autumnal forest, huh? One of my fondest childhood memories is of sitting in the movie theater with my neighbor and her mom while those Bayeux Tapestry opening credits unfurled to Michael Kamen’s blood-stirring score. And unlike so many 90’s kids who have since broken their allegiance to RH:POT, I remain a devout fan. (Fun fact: I won the role of Maid Marian in my South Carolina middle school production of Robin Hood because the maid I was understudying for had to back out. Kismet, Kevin, kismet.)