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Don’t Judge Me, or Judge Me… Sexily

By Elizabeth Foreman

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Examining the past of one's own art is not just important; nay, I say it should be required by the Norse gods! For how can we as writers grow if we cannot joyfully laugh at our past prose exploits? How I ask you? HOW?!

Case in point: this evening, I came across some of my elementary school work in an old box. One item of particular interest was an old story I wrote in the second grade. The story, which told of the perils of a young girl named Marilyn, had a thick plot full of twists, turns and dramatic irony. I will sum up the story with this basic summary:

Marilyn runs away from home but she doesn't mind being homeless because she likes camping (apparently in the streets). Winter is on its way, so she needs more clothes to be a hobo fashion dynamo, or a hooker. (The details here were sketchy at best.) She only has exactly $20.50 and so she has to go to the bank where, incredibly, this seven year old girl not only has an account but enough money to get an entire new winter wardrobe (because who needs to pay rent when you love street camping?). She gets some new clothes and then decides being a street bum kind of sucks but at least she looks good. Then, for some unknown reason, she buys a book and goes home where her mom and she have this reunion which consists of talking all day.

Sure the character development left something to be desired—like character development—but the moral was great: being homeless isn't as bad when you look good doing it. Funny how relevant this story is to my current existence—a case of art imitating life. Marilyn and I share the same affinity for fashion and camping. But we also realize that at home you don't have to pay rent and you have indoor plumbing. I'd have to say that is the ironic twist-something which every good story must encompass.

I also have another piece, a poem I wrote about my dad (in his pre-medicated days) when I was about five. The fantastic poem reads as such:

 

my dad, my dad

he's always mad

he's never ever, ever glad

so please don't make me sad

 

That cut is totally the first track on my rap album.

Looking back on the past does mean facing up to some hard truths (like my childhood lack of knowledge about the banking industry) and some deep, enduring scars (why didn't I have a rap album when I was seven?!), but the rewards of contemplation far outweigh the devastating trip down Repressed Memory Lane.

Now, if you'll excuse me, I have $20.25 burning a hole in my pocket!

 

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Elizabeth Foreman’s unequalled love for cake once spawned the following poem by famed philanthropist and Defenestration staff writer Luigi Fairbanks:

Miss Foreman, please, save some for me,

I’d like another slice!

You’re eating all my birthday cake, which isn’t very nice.

 

 


(c) Defenestration Magazine, 2004